I hid in the car outside the orthodontist’s, making myself small. Families entered and exited their cars; the parents acting cheerful, the kids, fretful. Someone tapped my window. Dr. Peterson’s technician, Lee, stood there smiling; beckoning. She had, obviously, done this before.

Ignoring the staring nosy metal-mouthed adolescents, I sheepishly trailed Lee through the waiting room; Taylor Swift blaring from the speakers. Reclining dental chairs occupied by young people filled the treatment room. Two doctors and a dozen pastel-gowned technicians attended the open mouths like mother robins.

Everyone looked 40 or under; I am 69, born pre-Polio vaccine, pre-3D food, pre-Internet. Braces were an unexpected indignity at this age.

Yet here I lay, mouth held open with some plastic device while Lee cemented little metal barbs (euphemistically called,”buttons”) to my teeth. Horizontal wires were then anchored on the barbs. Dr. Peterson checked Lee’s work, tightened everything, joined my upper and lower molars with rubber bands and dismissed me. I plucked unhappily at my rubber bands, wondering about setting off metal detectors.

“These rubber-bands will bust,” I wailed to my husband.

“Just don’t bust your pizzle-string,” he chuckled.

I considered buying a burka.

Bobbie Wayne has a BA (music) and an MFA (Art.) She was a painter (Abstract, Portrait, and sign), music therapist, singer/songwriter, Nashville songwriter and plays Celtic harp. She studied writing at Grub Street in Boston. She has been published in The Ravens Perch online magazine twice, and Intrinsick online magazine and will be published in SLAB magazine and Blueline Literary Journal.